October 26, 2014

Spooky books for Halloween

Filed under: recommended reading — Rhiannon Lassiter @ 1:55 pm

HalloweenCelebrating Halloween, here’s a list of spooky books for readers of various ages, to read under the covers with the lights turned up high. These are listed in rough order of the age range that I’d recommend these for, from juniors to middle grade, YA and adult.

  • Which Witch? by Eva ibbotson
    Arriman the Awful, feared Wizard of the North, has decided to marry. But his wife must be a wicked witch skilled in black magic. Belladonna desperately wants to be a wicked enchantress but her magic is hopelessly white. Terrence Mugg is an unattractive orphan with a worm for a pet. This lighthearted read is intended for junior shut has enough humour to keep adult readers engaged as well.
  • The Haunting of Cassie Palmer by Vivien Alcock
    Cassie is the seventh child of a seventh child and her medium mother expects supernatural powers from her. When Cassie experimentally tries to raise a spirit she accidentally raised the wrong one: a sinister man named Deverill.
  • Marianne Dreams by Catherine Storr
    This was read to me when I was eight by by class teacher. Perhaps a bit spooky for some eight-year-olds but I loved it. Whatever Marianne draws with a magic pencil she visits in her dreams: a house, a boy, food and toys. But when, in fit of temper, she draws eyes on the stones surrounding the house, her dreams enter a new and terrifying phase.
  • Why Weeps the Brogan? by Hugh Scott
    Wed 4 Years 81 days from hostilities… so reads the clock in Central Hall. For Saxon and Gilbert, though, it is just another day in their ritualized indoor existence. Together they visit the Irradiated Food Store, guarding against spiders. Among the dusty display cases, however, a far more disturbing creature moves. What is the Brogan… and why does it weep? This book works a dark and mysterious way to a dark and devastating conclusion.
  • The Tombs of Atuan by Ursula K. Le Guin
    I fell in love this book when I was ten and dressed in black and called myself “Arha the Eaten One”. Arha is a child priestess serving the Nameless Ones in tombs under the earth. When a wizard arrives in the catacombs she confronts everything she had learned about herself, the gods and magic. This is an Earthsea novel but it stands alone.
  • The Owl Service by Alan Garner
    Alison and her brother Roger are spending their summer holidays in Wales. While ill in bed Alison hears noises from the attic above. Gwyn, a local boy, is sent to investigate and discovers a set of plates with a complex floral design around the edge of each piece. Alison discovers that when she traces the design and cuts it out, it can be folded into the shape of an owl. But each new paper owl disappears and so does the design from the plates. This novel builds the tension slowly but surely and its mystery has stayed with me since I first read it as a young preteen.
  • The Time of the Ghost by Diana Wynne Jones
    The ghost knows she is one of four sisters, but which one? She also knows there’s been an accident. As she struggles to find her identity, she becomes aware of a malevolent force stirring around her. Something terrible is about to happen. One of the sisters will die – unless the ghost can use the future to reshape the past. But how can she warn them, when they don’t even know she exists? This is the Diana Wynne Jones book based the most closely on the author’s own peculiar family and is full of haunted echoes of her own past.
  • Transformations by Anne Halam
    This is the second book of a trilogy but it stands alone. Sirato, a child of a mining family, is endlessly criticised by her strict family. Her older teenage brother Holm is indulged in all sorts of whims. Then Zanne of Garth, a Covenanter known for her work to end the poisoned machines of the past, arrives in Minith she begins to uncover a twisted secret beneath the town’s stony exterior.
  • Del Del by Victor Kelleher
    This terrifying story of a child’s personality unravelling, told by his older sister, is one of the most sinister YA novels I have read.
  • Fade by Robert Cormier
    A story about a power of invisibility inherited through the generations and the malign effects it has on its possessors.

Little Witches Bewitched on KindleSpecial offer! Halloween 2014: Little Witches Bewitched, Rhiannon Lassiter’s novel for juniors is discounted by 80% on Kindle in the UK and the US. From 27 October to 3 November this set of short stories for junior and middle grade readers is discounted to £0.99 in the UK and $1.99 in the US.

Small, but brave.” – Ann Giles, The Book Witch

These stories are ideal for children who love dressing up, imagining curious castles and dreaming up magical shops.” – KM Lockwood, Serendipity Reviews

In the first story, Little Witches and the Trick-or-Treat-Trick, the heroines meet each other for the first time on Halloween. Dulcie’s au pair is a fashion student who has dressed her up as a modern witch – “occult casual” she calls it. Verity has lost the battle with her sisters for first choice from the dressing up box and ended up with pirate boots and a witches hat and broom. While out trick-or-treating they accidentally annoy a mysterious old woman who casts a spell on them Dulcie and Verity gain magic powers for real. In Little Witches and the Wandering Shop they work together to find a way to reverse the spell.

There are three more Little Witches stories in this collection. Little Witches and the Family Ghost is a ghost story which takes place in Dulcie’s grandfather’s stately home. Little Witches and the Cat Burglar is a crime story in which they meet a strange black cat. Little Witches Back in Time is a time-travel adventure in which they meet Shakespeare.

For more about the book visit the Little Witches book page.

October 22, 2014

Reading the reviews – a writer’s POV

Filed under: Advice for writers,things I read on the internet — Rhiannon Lassiter @ 8:35 am

I remember the first bad review I got. It was lengthy, completely negative but I don’t recall any specific critique of the book. it ended with the advice “Don’t read this book until you want a bad time with a bad book that you will hate”. Or words to that effect. It’s been a long time now and didn’t save the link. I remember thinking the tone was so vituperative that I wondered if the reviewer had something against me personally. Was it someone who I’d annoyed in some way?

And then I moved on. My books had got plenty of good reviews and there wasn’t much to be gained from this one. It never occurred to me to stalk the reviewer and demand an explanation. They didn’t like my book and had said so with gusto. When I don’t like a book I’m much the same. in book group, on my blog, in my reviews for Strange Horizons – I to explain why I don’t like a book, exactly what I felt didn’t work and why. For the more professional pieces I try to cut back on the hyperbole and stick to the facts, in venues like book group we compete to find the most scathing critique. But in any venue my reviews are only as good as my opinion. If you like the books I like you’ll love ‘We Were Liars‘ and loathe ‘Twilight’. Probably. There are exceptions to every rule.

I still read reviews of my books. Sometimes they’re helpful. I’ve found comments that point out there’s a curiously dated quality to some of my contemporary fiction which may come from the fact my great influences include Mahy and Wynne Jones who I read in the 80s. Reviewers are also furiously divided on whether Bad Blood is frightening. Some readers can’t read it at night. Others are bewildered by what’s supposed to be scary. Reviewers have pulled me up for problems with pace, for naming of characters, for too much exposition and muddled action. I’ve also had praise but this isn’t about that.

I try to respect those reviewers and to learn from their critique. Some comments I can discard, confident that the reviewer didn’t get what I was going for or has made a mistake. One book was criticised as too derivative of one of my mother’s works – a book published five years after mine! Others I have to ponder. Was the action muddled? Could it have been improved? Almost certainly.

The thing is that you don’t get to rewrite an existing book. Love it or hate it, that book is done. The only possible response to critique is to address it in your next work. To work on your pacing or your endings or your sense of place and space. This is called honing your craft.

And although every writer knows the lure of procrastination and the terror of the empty page, obsessing over the personalities and identities of your reviewers is not a useful way to spend your time. If you find yourself being sucked into a dark place in response to critique use that in your fiction (Tim Dowling’s The Giles Wareing’s Haters’ Club is a good example of this) but back away from the internet for your own sake and sanity.

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